First staged in 1939, After the Dance, now often thought to be Terence Rattigan's masterpiece, offers a subtle, witty unmasking of the hedonistic 20s generation and a devastating study of repression and the human heart.

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First staged in 1939, After the Dance, now often thought to be Terence Rattigan's masterpiece, offers a subtle, witty unmasking of the hedonistic 20s generation and a devastating study of repression and the human heart.
Alan Bennett's new play is as much about the theatre as it is about poetry or music. It looks at the unsettling desires of two difficult men, and at the ethics of biography. It reflects on growing old, on creativity and inspiration, and on persisting when all passion's spent: ultimately, on the habit of art.
The National stages Andrew Upton's vigorous new version of Mikhail Bulgakov's rarely performed masterpiece, unrivalled in its depiction of the near-farcical mayhem of civil war across a vast and vivid canvas
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Meeting with many of the key players from the financial world, David Hare, author of The Permanent Way and Stuff Happens, has created The Power of Yes: a compelling narrative that investigates the reasons for the finacial meltdown.
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